My Virtual Arts will contain all sheet music, choreography, play-along tracks for musicians, and videos breaking down the color guard choreography. You can interact with instructors, administrators, and fellow members on Slack. My Virtual Arts will answer most of your questions, and when it doesn’t, you can get them answered on Slack! Virtual french horn online is to practice playing french horn on the internet. Music can be played by the frenchhorn as a file (files.mid) upload to play. Can determine the speed of play. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

With just a touch of effort, you can create super-realistic brass parts that could fool even a golden ear. Seriously, these kinds of results speak wonders about the sampling quality and overall programming that went into making this product. Not to sound like a broken record, but East West did it again with Hollywood Brass. Bravo.

HOLLYWOOD BRASS DIAMOND EDITION
(for GOLD EDITION see below)

Hollywood Brass is the most powerful, realistic and extensive brass library ever created. There is a focus and ease of use in this Virtual Instrument that is unprecedented. Hollywood Brass runs flawlessly in the new PLAY 6 engine and has 10 times the content and detail than its closest competitor, without any additional complexity or clutter. New revolutionary fanfare patches are light on computer resources, but offer the most playable and instantly gratifying results on just one midi channel. But words are just words. Once you experience Hollywood Brass, you will see that this is EastWest's finest creation to date — (Producers Doug Rogers, Nick Phoenix and Thomas Bergersen).

HOLLYWOOD BRASS production team includes 2019 GRAMMY WINNER 'Best Engineered Album, Classical', ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 400 feature films including the Star Wars franchise (The Rise of Skywalker, The Last Jedi, The Force Awakens, Revenge of the Sith, Attack of the Clones, The Phantom Menace), The Hunger Games franchise, Harry Potter and the Prisoner of Azkaban, Jurassic Park and The Lost World, Titanic, Schindler's List, Saving Private Ryan, Mission: Impossible, the Indiana Jones franchise (Kingdom of the Crystal Skull, The Last Crusade), the Fantastic Beasts franchise, etc; and multiple award-winning EASTWEST/QUANTUM LEAP virtual (software) instrument producers DOUG ROGERS and NICK PHOENIX; and composer and orchestrator THOMAS BERGERSEN.

Recorded in EastWest Studio 1, widely regarded as the 'best brass recording room in the entire world' with 5 true mic positions, Hollywood Brass is designed to work seamlessly with Hollywood Strings (and the upcoming Woodwinds and Percussion). Running on the new PLAY 6, Hollywood Brass will run flawlessly on your system along with Hollywood Strings. This is also exciting news for current Hollywood Strings users, as PLAY 6 and the new Hollywood Strings program update are free to all users.

Hollywood Brass ships on a hard drive and is approximately 150 gigabytes of pure Hollywood magic. A world class group of brass artists, worthy of a Shawn Murphy recording, was gathered for this brass sampling marathon which lasted for 21 straight 11 hour days followed by a year of post production.

Hollywood Brass gives you complete control over the players and includes:

Solo Trumpet, 2 Trumpets, 3 Trumpets, Solo French Horn, 2 French Horns, 6 French Horns, Solo Trombone, 2 Tenor + 1 Bass Trombone, Solo Tuba, Solo Cimbasso and a low brass section consisting of : 2 Tenor Bones, 1 Bass trombone, 1 tuba and 1 cimbasso

But most importantly check out our articulations chart which really shows how far we went to create the ultimate orchestral brass library. No Shortcuts here!!

Brass Vst

Hollywood Brass also includes new brass reverb impulses taken from the smash hit convolution reverb Quantum Leap SPACES.

• Produced by Doug Rogers, Nick Phoenix, and Thomas Bergersen
• Sound engineered by Shawn Murphy (Academy Award, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winng sound engineer)
• Extensive multiple-dynamic 'true legato' solo and ensemble brass, with multiple sized sections and mutes
• 5 user-mixable mic positions, extensive articulations, and no shortcuts!
• Includes new PLAY 6 64-bit software on both MAC and PC, powerful scripting for ease of use, more user control and detail than any other collection, all recorded in the world famous EASTWEST Studio 1, the home of major Hollywood soundtracks and television themes.

Instrument Technology

French Horn & Tuba 3 further expands Samplemodeling™ technologies. Multi-microphone anechoic recording allows to capture the original timbre of the instrument, along with its radiation pattern. Our proprietary 'Harmonic Alignment' yields continuous transitions across virtually infinite dynamics. Specially devised 'early reflections' impulse responses add a virtual space to the anechoic sound, greatly contributing to realism (see below). The programming moves further away from conventional libraries, by exploiting physically-oriented modulation of the recorded sound. This yields the characteristic crescendo pattern of French Horns, typical brass flutter on transitions, or even the 'watery' sound, knocks, breath noise, and metallic resonances from the bell and the body of the instrument, greatly contributing to realism. The result is a series of playable, very expressive virtual instruments retaining the rich, full sound of the real ones.

The package includes four different French Horns and a Tuba. The base material of the instruments consists of 270 MB of samples, chromatically performed by professional players over a very wide dynamic range. All samples are unlooped, and have a duration of 9 sec. As in the 'The Trumpet' and 'The Trombone' the musical engine is structured according to an adaptive model, based on the performance 'fingerprints' of the real instrument. The purpose of the model is to minimize the differences between the real phrases and those played by the virtual instrument.

Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced artificial intelligence MIDI processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth.

Pseudo-random detuning, based on real performance-derived pitch trends, is another outstanding new feature of French Horn & Tuba 3, adding further realism.

Why anechoic?

The purpose of anechoic recording was threefold:

1. avoid “contamination” of the pure French Horn & Tuba sounds with the uncontrolled resonances of a particular ambience,
2. allow artifact-free “harmonic alignment” processing
3. provide clean articulations and phrases as a database to build the “adaptive model”.

French Horn Simulator

Virtual Instruments? No additional software needed?

Kontakt 5 Player

French Horn & Tuba 3 is supplied with the NI Kontakt Player 5.5, the read-only version of Native Instruments sampler. It involves many new features and bugfixes, including 64 bit, extended memory and multicore support, DFD optimization, better compliance with some OS and hosts, etc. The Player is included as a separate installer, and no additional software is required to play the instrument. Stand-alone mode, as well as plugin formats VST, AU and AAX, 32 or 64 bit, are supported.

Kontakt 5 Sampler vs. Full Kontakt

Virtual French Horn

The instruments can be loaded and played in the full versions of Kontakt. Please note that they cannot be opened or modified, and no access to the samples, impulse responses or instrument programming is provided.